Today we are shining a spotlight on Teal Aurelia, a fantastic storyteller that creates uniquely edited machinima incorporating exciting visuals that engage and inspire the viewer.

How long have you been in Second Life and how did you first hear about it?
I was an Alaskan living in Thailand in 2009, and SL was the platform that my local friends socialized on when it was too hot to go outside. I miss that level of RL/SL overlap, honestly. I'd love to see metaverse platforms become mainstream community space.

I've bounced in and out of SL since then. I joined the Flickr community last year to practice Photoshop edits, and it made me realize that I'd never seen an SL video edited as heavily as photos. I figured I'd try. 

You’ve been creating stunning machinima, do you have a background in video editing and what kind of tools do you use?
I just graduated with an animation degree last summer, but I plan to specialize in post-production. My university is known for its traditional animators, so if I wasn't drawing, I was in a stop-motion studio working with physical rigs and cameras. I use Toon Boom and TVPaint for 2D animation, Nuke and After Effects for compositing, Premiere and Avid for editing, and the cheapest sketchbooks to draw in. I didn't plan on learning CG or visual effects. 

I think that sometimes the universe shoves us unsubtly towards the right circumstances for our evolution. The pandemic shut down my campus for a year, so I veered into CG character-modelling and animation in Maya as a sidequest. I didn't expect to fall in love with environment design, or that my grad film would involve landscapes with 40,000 trees that would take impossibly long render, or that those things would force me to film on green screens and learn proper post-production. 

I create machinima because it allows me to skip straight to the parts of filmmaking I adore. That wouldn't be possible without all the creators whose work I utilize for characters, props, and sets. Brands like Doux, The Forge, and Swallow have supported me from the beginning, and I might have stopped filming after one video if not for the force of their kindness and creativity behind me.

Your machinima is a mix of Second Life and other virtual worlds and gaming platforms, what inspires you to blend all of these elements?
I think if you asked SL photographers why they do what they do, a lot of them would say they enjoy editing. That's also why I film. Compositing SL avatars into other game environments may sound lazy, but it takes skill. It's the same skill that puts monsters and superpowers into live-action movies, and if it's done well, it sells a film. It's what I want to do for a career. If I can convince you that an SL avatar belongs in a non-SL environment, it means my editing is okay. It's a process of stitching two worlds together with color and light. 

My latest video for Signature is shot entirely in SL with sets from Fanatik Architecture, but I still filmed the avatars against green screens. Separating characters from backgrounds allows me to create an army from a single avatar, to make buildings collapse realistically, and to layer effects. When I edit, I learn, and it improves my worth as a freelancer RL.

Fantastic storytelling is a significant part of the draw in your machinimas. Where do you come up with your ideas and how long does it typically take you from concept to execution?
I dreaded this question! A one-minute film currently takes me about a month to complete. I use the same pipeline as I would for creating a RL film or commercial, so I typically spend 40% of that time in pre-production (researching, storyboarding, figuring out the animation, testing lighting, arranging sets), 10% filming, and 50% in post-production. Add an extra week for things to go wrong. 

To apply that to my recent Signature film, I didn't just log in and start filming on day one. Raph Dirval was really supportive in allowing me to run with whatever concept I chose, and I knew I wanted a film that could showcase how naturally-expressive Signature's mesh heads are. I needed a story with anger, with sadness. Those emotions have always been tricky to portray in SL machinima. I'd experimented with animating Lelutka heads in a previous video, and was confident I could push it even further for this Signature film. 

"Though victory's proof of the skill you possess, defeat is the proof of your grit," is the beginning of the Edgar Albert Guest poem that became the concept for this film. I wanted a main character who'd lost everything and faced horrible odds, but stood up and fought back. I think everyone can relate to that feeling of being crushed to dust but choosing to reignite.

See the Signature video on the Second Life YouTube channel submitted by Teal for Spotlight:

Tell us about some of the other Residents in SL that inspire you and whose work you admire.
I made a video called "Artists of SL" which features a few of my influences. It was really a thank-you to some of the creative giants I've learned from. Tutorials by Anya Ohmai and Strawberry Singh got me started in Photoshop. Artists such as Emeline Laks and Panda Banana showed me that it's possible to tell a story in a single frozen moment. A movie is just thousands of those moments squished together, so by understanding how photographers like Panda and Eme create remarkable images - the composition, lighting, posing, colour - I become a better filmmaker.

For videography, Vrutega directs really complex cinematic scenes with an insane level of artistic technique. Godiva (Riqan Resident) has knowledge and perfectionism that make me feel less alone in how much time I spend on pre-production. Any Bergan, Lipe Vortex, and Kelie Ladys make incredible commercial videos showcasing products and events. 

ColeMarie Soleil's audio-visual alchemy for events like The Engine Room and Midnight Order reminds me that art should be a shared experience, even in a virtual space. She has such a genuine way of bringing creative people together. 

Where can people see your work? Please share links to your sites and social media accounts.
Flickr   
Facebook   
YouTube   
Instagram   

Thank you, Teal, for your mesmerizing visuals and endless inspiration.

Each of our Spotlight posts features a different Resident to showcase the spectrum of experiences and personalities found in our virtual world. If you have created something inworld that you’re proud of, or have had a deeply meaningful experience that could brighten someone else’s day, please sign up! More info here: https://second.life/spotlight-signup